Tất cả nhạc CỔ ĐIỂN post ở đây !!! - Page 5

**vaiduakhu** · 24-05-2007, 11:55 PM

Trích:

Nguyên văn bởi Mosse

Cho mình xin nốt 2 trích đoạn kia với mainp nhé.

Cho bro cả vở Opera đó luôn

Code:

http://www.liberliber.it/audioteca/b/bizet/index.htm

Mà mọi người có ai quan tâm tới các vở Opera không để tớ post

**mainp** · 25-05-2007, 12:13 AM

Trích:

Nguyên văn bởi vaiduakhu

Cho bro cả vở Opera đó luôn

Code:

http://www.liberliber.it/audioteca/b/bizet/index.htm

Mà mọi người có ai quan tâm tới các vở Opera không để tớ post

có có, tớ đây
cho tớ xin vở Nutcracker (chàng bổ hạt), Swan Lake (hồ thiên nga) nhá ^^
cảm ơn trước
ờ, cho thêm info về ng biểu diễn thì càng tút ^^

**vaiduakhu** · 25-05-2007, 10:29 AM

TCHAIKOVSKY - Leonard BERNSTEIN & The New York Philharmonic [HQ]
RIP+UP (format.ape) by Galmuchet + All Covers & Sticker - 230 Mb
CD Audio 1987
CBS Records

Bernstein New York Philharmonic / Tchaikovsky Nutcracker Suite & Swan Lake Suite

Nutcracker Suite, Op. 71a

01. 03:21 Nutcracker Suite, Miniature Overture
02. 11:30 Nutcracker Suite, Dances Caractéristiques
03. 06:31 Nutcracker Suite, Waltz of the Flowers

Swan Lake Suite, Op. 20

04. 02:57 Swan Lake Suite, Act II Opening - Dance of the Swans
05. 02:39 Swan Lake Suite, Waltz
06. 01:32 Swan Lake Suite, The Little Swans
07. 07:08 Swan Lake Suite, Pas de Deux
08. 01:36 Swan Lake Suite, Waltz
09. 01:33 Swan Lake Suite, Coda
10. 02:44 Swan Lake Suite, Act III opening
11. 02:46 Swan Lake Suite, Spanish Dance
12. 04:27 Swan Lake Suite, Mazurka

Code:

http://rapidshare.com/files/21474283/suite_a_la_noix.part1.rar
http://rapidshare.com/files/21476329/suite_a_la_noix.part2.rar
http://rapidshare.com/files/21478331/suite_a_la_noix.part3.rar

Định dạng APE cần phần mềm Media Monkey.

Tchaikovsky (Valery Gergiev - Kirov Orchestra) / The Nutcracker, Op. 71

[389MB - *.ape]

Code:

http://rapidshare.com/files/8423436/Gergiev_CHIPOLLO.part1.rar
http://rapidshare.com/files/8423516/Gergiev_CHIPOLLO.part2.rar
http://rapidshare.com/files/8423473/Gergiev_CHIPOLLO.part3.rar
http://rapidshare.com/files/8423294/Gergiev_CHIPOLLO.part4.rar
password: www.Chipollo.Info

**vaiduakhu** · 25-05-2007, 10:47 AM

Kaori Muraji - Contrastes (DVD Rip)

Code:

http://vnguitar.info/Contrastes%20-%20Kaori%20Muraji%20.divx

Special thank to Manuel de Falla

daicaratu · 26-05-2007, 12:51 AM

Chưa biết nhiều về cổ điển chỉ biết một số bài hay nên nhờ các bro ai nghe nhiều pót lên anh em cùng nghe,but rap thì chịu.cảm ơn!

**vaiduakhu** · 29-05-2007, 08:53 PM

Johann Sebastian Bach - Goldberg Variations
Classical | mp3 320 Kbps | 178 MB
Brilliant Classics

01. BWV 988 - Aria
02. BWV 988 - Variatio 1
03. BWV 988 - Variatio 2
04. BWV 988 - Variatio 3, canone all'unisono
05. BWV 988 - Variatio 4
06. BWV 988 - Variatio 5
07. BWV 988 - Variatio 6, canone alla seconda
08. BWV 988 - Variatio 7
09. BWV 988 - Variatio 8
10. BWV 988 - Variatio 9, canone alla terza
11. BWV 988 - Variatio 10, fughetta
12. BWV 988 - Variatio 11
13. BWV 988 - Variatio 12, canone alla quarta
14. BWV 988 - Variatio 13
15. BWV 988 - Variatio 14
16. BWV 988 - Variatio 15, canone alle quinta, andante
17. BWV 988 - Variatio 16, ouverture
18. BWV 988 - Variatio 17
19. BWV 988 - Variatio 18, canone alla sesta
20. BWV 988 - Variatio 19
21. BWV 988 - Variatio 20
22. BWV 988 - Variatio 21, canone alla settima
23. BWV 988 - Variatio 22, alla breve
24. BWV 988 - Variatio 23
25. BWV 988 - Variatio 24, canone all'ottava
26. BWV 988 - Variatio 25
27. BWV 988 - Variatio 26
28. BWV 988 - Variatio 27, canone alla nona
29. BWV 988 - Variatio 28
30. BWV 988 - Variatio 29
31. BWV 988 - Variatio 30, quodlibet
32. BWV 988 - Aria da capo

Code:

http://rapidshare.com/files/33517205/bach2.11.part1.rar
http://rapidshare.com/files/33520151/bach2.11.part2.rar

**vaiduakhu** · 29-05-2007, 08:58 PM

Johann Sebastian Bach - Italian Concerto - French Overture - Chromatic Fantasy
Classical | mp3 320 Kbps | 120 MB
Brilliant Classicals

Pieter-Jan Belder : harpsichord/cembalo

01. Italian Concerto in F major BWV971 - I. Allegro
02. Italian Concerto in F major BWV971 - II. Largo
03. Italian Concerto in F major BWV971 - III. Presto
04. Overture in the French Style in B minor BWV 831 - I. Ouvertüre
05. Overture in the French Style in B minor BWV 831 - II. Courante
06. Overture in the French Style in B minor BWV 831 - III. Gavotte I & II, da capo
07. Overture in the French Style in B minor BWV 831 - IV. Passepied I & II, da capo
08. Overture in the French Style in B minor BWV 831 - V. Sarabande
09. Overture in the French Style in B minor BWV 831 - VI. Bourrée I & II, da capo
10. Overture in the French Style in B minor BWV 831 - VII. Gigue
11. Overture in the French Style in B minor BWV 831 - VIII. Echo
12. Chromatic Fantasy & Fugue in D minor BWV 903 - I. Fantasie
13. Chromatic Fantasy & Fugue in D minor BWV 903 - II. Fuge

Code:

http://rapidshare.com/files/33523745/bach2.10.part1.rar
http://rapidshare.com/files/33524393/bach2.10.part2.rar

**vaiduakhu** · 29-05-2007, 09:03 PM

John Eliot Gardiner - Bach Cantatas, Volume 14: New York
Genre: Classic | Lossles: APE+CUE | Covers, Booklet (300 dpi) | 335 Mb
SPARS Code: DDD | Label: Soli Deo Gloria | ASIN: B000B8GUFU | 2000 Year (CD: December 2005)
Four mirrors: Rapidshare, Depositfiles, Megaupload and Uploading

“Sir John Eliot Gardiner CBE (born April 20, 1943, Fontmell Magna, Dorset, England) is an English conductor. He founded the Monteverdi Choir (1966), the English Baroque Soloists (1978) and the Orchestre Re'volutionnaire et Romantique (1990). Gardiner recorded over 250 albums with these and other musical ensembles, these are mostly published by Deutsche Grammophon and Philips Classics. John Eliot Gardiner is most famous for his interpretations of Baroque music on period instruments with the Monteverdi Choir and the English Baroque Soloists. His repertoire and discography are not limited to Early music. With the Orchestre Re'volutionnaire et Romantique Gardiner has performed a wide range of Classical and Romantic music, including many works of Hector Berlioz and all of Beethoven's symphonies, a recording of the third symphony of the latter was used in dramatisation by the BBC of Beethovens writing of that symphony. Gardiner has served as chief conductor of the North German Radio Symphony Orchestra and has appeared as guest conductor some of the most famous orchestras including the Philharmonia, Boston, Cleveland, Royal Concertgebouw and Vienna Philharmonic orchestras.” – Wikipedia.org

Composer: Johann Sebastian Bach
Conductor: John Eliot Gardiner
Performer: Peter Harvey, English Baroque Soloists, Joanne Lunn, Katharine Fuge, James Gilchrist
Orchestra: English Baroque Soloists

Cantata No. 91, “Gelobet seist su, Jesu Christ,” BWV 91 (BC A9) No. 1. Coro. Gelobet seist du, Jesu Christ
Composed by Johann Sebastian Bach
Performed by English Baroque Soloists
Conducted by John Eliot Gardiner

Cantata No. 91, “Gelobet seist su, Jesu Christ,” BWV 91 (BC A9) No. 2. Recitativo e Choral. Der Glanz der ho"chsten Herrlichkeit
Composed by Johann Sebastian Bach
Performed by English Baroque Soloists
with Katherine Fuge
Conducted by John Eliot Gardiner

Cantata No. 91, “Gelobet seist su, Jesu Christ,” BWV 91 (BC A9) No. 3. Aria. Gott, dem der erden Kreis zu klein
Composed by Johann Sebastian Bach
Performed by English Baroque Soloists
with James Gilchrist
Conducted by John Eliot Gardiner

Cantata No. 91, “Gelobet seist su, Jesu Christ,” BWV 91 (BC A9) No. 4. Recitativo. O Christenheit!
Composed by Johann Sebastian Bach
Performed by English Baroque Soloists
with Peter Harvey
Conducted by John Eliot Gardiner

Cantata No. 91, “Gelobet seist su, Jesu Christ,” BWV 91 (BC A9) No. 5. Aria. Die Armut, so Gott auf sich nimmt
Composed by Johann Sebastian Bach
Performed by English Baroque Soloists
with Katherine Fuge, Robin Tyson
Conducted by John Eliot Gardiner

Cantata No. 91, “Gelobet seist su, Jesu Christ,” BWV 91 (BC A9) No. 6. Choral. Das hat er alles uns getan
Composed by Johann Sebastian Bach
Performed by English Baroque Soloists
Conducted by John Eliot Gardiner

Cantata No. 121, “Christum wir sollen loben schon,” BWV 121 (BC A13)
Composed by Johann Sebastian Bach
Performed by English Baroque Soloists
with Peter Harvey, Katherine Fuge, William Towers, James Gilchrist
Conducted by John Eliot Gardiner

Cantata No. 40, “Dazu ist erschienen der Sohn Gottes,” BWV 40 (BCA 12)
Composed by Johann Sebastian Bach
Performed by English Baroque Soloists
with Peter Harvey, Robin Tyson, James Gilchrist
Conducted by John Eliot Gardiner

Cantata No. 110, “Unser Mund sei voll Lachens,” BWV 110 (BC A10)
Composed by Johann Sebastian Bach
Performed by English Baroque Soloists
with Peter Harvey, Joanne Lunn, William Towers, James Gilchrist
Conducted by John Eliot Gardiner

Tracklist:
Cantata No. 91, “Gelobet seist su, Jesu Christ,” BWV 91
01. Coro
02. Recitativo E Choral
03. Aria: Tenor Gott, Dem Der Erden Kries Zu Klien
04. Recitativo: Bass O Christenheit
05. Aria: Sopran, Alt Die Armut, So Gott Auf Sich Nimmt
06. Choral Das Hat Er Alles Uns Getan
Cantata No. 121, “Christum wir sollen loben schon,” BWV 121
07. Coro Christum Wir Sollen Loben Schon
08. Aria: Tenor O Du Von Gott Erhohte Kreatur
09. Recitativo: Alt Der Gnade Unermesslich's Wesen
10. Aria: Bass Johannis Freudenvolles Springen
11. Recitativo: Sopran Doch Wie Erblickt Es Dich In Deiner Krippe
12. Choral Lob, Ehr Und Dank Sei Dir Gesagt
Cantata No. 40, “Dazu ist erschienen der Sohn Gottes,” BWV 40
13. Coro dazu Ist Erschienen Der Sohn Gottes
14. Recitativo: Teno das Wort Ward Fliesch Und Wohnet In Der Welt
15. Choral Die Sund Macht Leid
16. Aria: Bass Hollische Schlange
17. Recitativo: Alt Die Schlange, So Im Paradies
18. Choral Schuttle Deinen Kopf Und Sprich
19. Aria: Tenor Christenkinder, Freuet Euch!
20. Choral Jesu, Nimm Dich Deiner Glieder
Cantata No. 110, “Unser Mund sei voll Lachens,” BWV 110
21. Coro Unser Mundi Sei Voll Lachens
22. Aria: Tenor Ihr Gedanken Und Ihr Sinnen
23. Recitativo: Bass Dir, Herr, Ist Niemand Gleich
24. Aria: Alt Ach Herr Was Ist Ein Menschenkind
25. Aria: Sopran, Tenor Ehre Sei Gott In Der Hohe
26. Aria
27. Choral

Code:

http://www.ftp2share.com/file/444e25dc-73ae-48a0-b370-19d25a8458a6/Cantatas_14.part1.rar
http://www.ftp2share.com/file/43cafcda-9292-455e-8606-8c775c9b769a/Cantatas_14.part2.rar
http://www.ftp2share.com/file/e796b05e-f9c5-442a-b385-2880853e518d/Cantatas_14.part3.rar
http://www.ftp2share.com/file/68262024-61e3-4848-8936-cfe660e46409/Cantatas_14.part4.rar

**vaiduakhu** · 29-05-2007, 09:07 PM

J.S. Bach - Cantatas BWV 6, 31, 67, 76, 80, 87 - Fritz Werner
APE (EAC) & CUE | Covers & track listing | ADD | 2 CDs | TT ~2h24 | 360 & 364 MB | RS

Recordings 1960-1964

Agnes Giebel, Ingeborg Reichelt, soprano
Claudia Hellmann, Hertha Töpper, Marga Hoffgen, alt
Helmut Krebs, tenor
Erich Wenk, Franz Kelch, bass
Marie-Claire Alain, organ
Heinrich Schütz-Chor Heilbronn / Pforzheim Chamber Orchestra,
Fritz Werner, conductor

Contents:

CD1
1. BWV 76 ''Die Himmel erzählen die Ehre Gottes''
15. BWV 6 ''Bleib' bei uns, denn es will Abend werden''
21. BWV 67 ''Halt' im Gedächtnis Jesum Christ!''

CD2
1. BWV 80 ''Ein feste Burg ist unser Gott''
9. BWV 87 ''Bisher habt ihr nicht gebetet in meinem Namen''
16. BWV 31 ''Der Himmel lacht, die Erde jubilieret''

Download

**vaiduakhu** · 29-05-2007, 09:09 PM

J.S. Bach - Cantatas BWV 8, 26, 43, 61, 85, 130, 182 - Fritz Werner
APE (EAC) & CUE | Covers & track listing | ADD | 2 CDs | TT 2h27 | 376 & 372 MB | RS

Recordings 1959-1961

''..the sound of tolling bells, the fragrance of blossoms pervades it - the sentiment of a churchyard in springtime.''
Phillipp Spitta on the opening choral of BWV 8

Friederike Sailer, Ingeborg Reichelt, soprano
Claudia Hellmann, Hertha Töpper, alt
Helmut Krebs, tenor
Erich Wenk, Jakob Stämpfli, Franz Kelch, bass
Heinrich Schütz-Chor Heilbronn / Pforzheim Chamber Orchestra,
Das Südwestdeutsche Kammerorchester
Fritz Werner, conductor

Contents:

CD1
1. BWV 61''Nun komm, der Heiden Heiland''
7. BWV 26 ''Ach wie flüchtig, ach wie nichtig!''
13. BWV 130 ''Herr Gott, dich loben alle wir''
19. BWV 8 ''Liebster Gott, wann werd ich sterben''

CD2
1. BWV 182 ''Himmelskönig, sei willkommen''
9. BWV 43 ''Gott fahret auf mit Jauchzen''
20. BWV 85 ''Ich bin ein guter Hirt''

(There was unfortunately a slight recording problem on the original tape at the end of BWV 85. On the other hand, it's Helmut Krebs singing.)

Download

**vaiduakhu** · 29-05-2007, 09:14 PM

Franz Schubert - Piano trio D929 & Sonata D28 - La Gaia Scienza
APE (EAC) & CUE | Covers | DDD | TT 55:28 | 206 MB | RS

Recorded at Villa Medici-Giulini, Briosco, Italy, May/June 1996

La Gaia Scienza
Federica Valli, Johann Schanz Fortepiano
Stefano Barneschi, Violin
Paolo Beschi, Violoncello

Contents:

Trio in E flat major, D929 (op. 100)
1. Allegro (15:19)
2. Andanto con moto (8:42)
3. Scherzando: Allegro moderato (6:56)
4. Allegro moderato (13:25)

Sonate in B flat, D28 for piano trio (unfinished)
5. Allegro (10:33)

*Thanks to bezdomny for bringing this ensemble to my attention.*

Part 1
Part 2
Part 3

**vaiduakhu** · 29-05-2007, 09:19 PM

Johann Sebastian BACH (1685-1750) Cantatas for bass BWV 56,82,158 - Philippe Herreweghe
DDD | TT: 52:20 | APE (EAC Rip) + CUE | covers | 253Mo
Recording January 1991

Peter Kooy basse
Choeur et Orchestre de La Chapelle Royale
dir: Philippe Herreweghe

Tracklisting:

Ich habe genung BWV 82
Je suis comblé / I have enough Johann Sebastian Bach
1 Aria 'Ich habe genung' 7'25
1 Recitativo 'Der Friede sei mit dir' 1'43
2 Recitativo 'Ich habe genung' 1'01
3 Aria 'Schlummert ein' 9'38
4 Recitativo 'Mein Gott' 0'43
5 Aria 'Ich freue mich' 3'37
Ich will den Kreutzstab gerne tragen BWV 56
Je porterai volontiers la croix
I would gladly bear the Cross Johann Sebastian Bach
6 Aria 'Ich will den Kreutzstab gerne tragen' BWV 56 6'55
7 Recitativo 'Mein Wandel auf der Welt' 1'52
8 Aria 'Endlich, endlich wird mein Joch' 6'44
9 Recitativo 'Ich stehe fertig' 1'26
10 Choral ' Komm, o Tod' 1'24
Der Friede sei mit dir BWV 158
La paix soit avec toi
Peace be with you Johann Sebastian Bach
12 Aria con Corale 'Welt, ade' 6'51
13 Recitativo 'Nun Herr' 1'25
14 Choral ' Hier ist das rechte Osterlamm' 1'19

Code:

http://rs81cg.rapidshare.com/files/33006998/bach_cantates_basse_herreweghe.rar
PASS 1 (rar link): anproi

http://rs104l34.rapidshare.com/files/33007030/bach_cantates_basse_herreweghe.rar
PASS 2 (RS folder): onoir

http://rs76l3.rapidshare.com/files/33007061/bach_cantates_basse_herreweghe.rar
PASS 3 (rar files): frisson

**vaiduakhu** · 29-05-2007, 09:21 PM

Mstislav Rostropovich and Sviatoslav Richter:
Brams: Sonota for Cello and Piano No. 1, Op. 38;
Grieg: Sonota for Cello and Piano, Op. 36
Genre: Classic | Lossles: APE+CUE | Covers (150 dpi) | 236 Mb
Label: Inta' glio | ASIN: B0002TFKTU | Original Release Date: 1964 Year
Historical recordings of Brams and Grieg sonotas for Cello and Piano
made by Richter and Rostropovich at Aldeburg Festival in 1964
Four mirrors: Rapidshare, Depositfiles, Megaupload and Uploading

Tracklist:
01. Brahms - Cello Sonata in e, Op.38 - 1. Allegro non troppo
02. Brahms - Cello Sonata in e, Op.38 - 2. Allegretto Quasi menuetto
03. Brahms - Cello Sonata in e, Op.38 - 3. Allegro
04. Grieg - Cello Sonata in a, Op. 36 - 1. Allegro agitato
05. Grieg - Cello Sonata in a, Op. 36 - 2. Andante molto tranguillo
06. Grieg - Cello Sonata in a, Op. 36 - 3. Allegro

Code:

http://www.ftp2share.com/file/97b24d6e-ebe8-49cc-8001-864c2c6b6b57/Rostropovich_and_Richter.part1.rar
http://www.ftp2share.com/file/8b73f1bb-daa2-4978-a0ad-7440eeffea3a/Rostropovich_and_Richter.part2.rar
http://www.ftp2share.com/file/790a9f7d-1d6a-4cb3-8591-69cd44c9709a/Rostropovich_and_Richter.part3.rar

**vaiduakhu** · 29-05-2007, 09:29 PM

J. Brahms: Violin Concerto in D, Op.77, Double Concerto in A minor, Op.102:
Julia Fisher & Daniel Muller-Schott - Yakov Kreizberg, NPO Amsterdam / SUPER AUDIO CD / May 2007.
EAC | ape (img + cue) | 3% recovery | R.S. 363 MB / 4parts | T.T. 72:59mins | Covers, Booklet, CD.

Tracklist:
CD: Julia Fischer, Daniel Mόller-Schott, NPO Amsterdam, Yakov Kreizberg - Johannes Brahms: Violin Concerto, Double Concerto.

01. Violin Concerto in D, Op.77: I Allegro non troppo [0:23:16.55]
02. II Adagio [0:09:29.38]
03. III Allegro giocoso, ma non troppo vivace. Poco piu presto [0:08:07.06]
04. Double Concerto for Violin and Cello in A minor, Op.102: I Allegro [0:16:08.49]
05. II Andante [0:07:39.03]
06. III Vivace non troppo. Poco meno allegro. Tempo I [0:08:16.47]

Review:

Times, Four stars:

Released: 14/05/07

The brilliant young German violinist Julia Fischer has already established a close relationship with the Amsterdam-based Pentatone label – a management buyout by former Philips employees, who now own some of the latter company’s back catalogue – and with Kreizberg. All of Fischer’s previous concerto discs have been conducted by the Russian-born American Yakov Kreizberg, but with different orchestras – the Russian National Orchestra and the Netherlands Chamber Orchestra. Here, with Kreizberg’s own Dutch company, she rises majestically to the challenge of Brahms’s two great string concertos. Fischer may be only in her mid-twenties, but she is already a mature artist, in command of a sweet, singing tone, formidable virtuosity and a breadth of vision that makes her Brahms especially compelling. She and her 29-year-old compatriot Daniel Müller-Schott – arguably the finest cellist of his generation – give the Double Concerto one of the most beautiful and idiomatic readings on disc in recent years.

More infos about Julia Fisher: Here

More infos about Daniel Muller Schott: Here

More infos about Yakov Kreizberg: Here

More infos about this album: Here

Code:

http://rapidshare.com/users/NBN532

P.I. Tchaikovsky: Violin Concerto in D, Op.35, Serenade melancolique Op.26, Valse-Scherzo Op.34, Souvenir d'un lieu cher:
Julia Fisher / Yakov Kreizberg, Russian National Orchestra / SUPER AUDIO CD / 2006.
EAC | ape (img + cue) | 3% recovery | R.S. 344 MB / 4parts | T.T. 68:25mins | Covers, Booklet, CD.

Tracklist:
CD: Julia Fischer / Yakov Kreizberg, Russian National Orchestra - Tchaikovsky: Violin Concerto in D, Serenade melancolique, Valse-Scherzo, Souvenir d'un lieu cher

01. Concerto for violin in D, Op. 35: I. Allegro moderato [0:18:05.39]
02. II. Canzonetta (Andante) [0:06:44.53]
03. III. Finale (Allegro vivacissimo) [0:10:11.08]
04. Serenade melancolique, Op.26 for violin and orchestra: Andante [0:09:33.24]
05.Valse-Scherzo Op.34 for violin and orchestra: Allegro (Tempo di Valse) [0:07:54.03]
06. Souvenir d'un lieu cher, Op.42 for violin and piano: I. Meditation [0:09:17.38]
07. II. Scherzo [0:03:15.17]
08. III. Melodie [0:03:22.17]

Reviews:

Apr-2007 Gramophone Editor's Choice

Fischer has the greater fun and fantasy and shows what a distinctive artists she is.

Julia Fischer brings fearsome concentration to a concerto that is so often an excuse for self-indulgence.
She also brings absolute control of colour and tone.
Fischer realises that you don't have to wallow in romanticism for the piece to work its magic. Kreizberg and
the fabulous Russian National Orchestra provide superb support.

Also:

March 2007 / BBC Music Magazine: This month's Orchestral Choice

David Nice / BBCmusic magazine

If you thought Tchaikovsky’s Violin Concerto was just a succession of pretty melodies, then Julia Fischer’s interpretation will make you think again. Like the great David Oistrakh, she has a notable way of giving the violin a speaking intonation and pausing for thought in mid-flow, so that Tchaikovsky’s lengthy first movement is punctuated by a series of interior monologues. Not that this should in any way suggest undue seriousness: Fischer always knows when to lighten the mood, or how best to judge the tension and release of a musical paragraph, and in this she is supported to the hilt by a personable but never too overbearing Russian National Orchestra under the baton of Yakov Kreizberg, likeable from the opening string phrase. The long cadenza, though, is the heart and soul of the movement, beautifully rounded off by a magical pair of trills before the orchestral flautist steals back in with the principal melody.
There’s subtle duetting with the first clarinet in the most introspective – but again never too heavy-going – of Canzonettas, and the two other slow movements on the disc, including the Meditation which was Tchaikovsky’s original candidate for the centrepiece of the Concerto, are soulfully done, with sensitive partnering from Kreizberg in the violin-and piano pieces and an especially effective dying fall, with more superb trilling, for the Sérénade mélancolique. In the Concerto’s vivacious finale and the headlong Valse-Scherzo, Fischer makes light of the technical difficulties with spoton pitching throughout; there isn’t an aspect of any of these works in which this world-class virtuoso fails to excel. Pentatone’s hybrid CD/SACD is superbly natural in both formats, with some understated spotlighting of the characterful orchestral woodwind.

And:

David Hurwitz / Classics Today

For a work so popular, and so highly favored by record companies, Tchaikovsky's Violin Concerto hasn't been getting too much attention lately. In any case, great performances are few and far between, but this newcomer certainly belongs on anyone's short list of truly outstanding versions. It has everything: transcendent virtuosity, tons of excitement in the finale, and perhaps most importantly of all, a soloist with both taste and a personal sound that allows her to make the music her own. Today's violin soloists are so well trained that we tend to forget the difference between great technique and great timbre. Fischer has both.
Right from the opening of the first movement her sound positively glows. Partly it's a function of her well-controlled vibrato, and chalk up the rest to perfect intonation. Fischer's double-stops, in a work that's full of them, are so in tune, and so musical, that it's frightening. Her sweetly singing tone makes for a Canzonetta that truly communicates like a song, as if Fischer commanded a genuine human voice and not an instrumental approximation. Yakov Kreizberg has his orchestra in top form, following her every step of the way, and the couplings are equally fine, particularly the eloquently phrased Sérénade.
Ordinarily I don't like mixed programs of orchestral and chamber music, but the Souvenir really belongs in this collection of Tchaikovsky's music for violin, and Kreizberg makes as fine an accompanist at the piano as he does on the podium. In terms of production, this also is one of PentaTone's best. The sound is warm, present, very well balanced, and happily not excessively biased toward the rear channels in SACD format. So if you're looking for a splendid new Tchaikovsky Violin Concerto that offers superior artistic values and excellent SACD surround sonics, this is definitely the one to get. Keep your eye on Fischer; she belongs with artists such as Hillary Hahn and James Ehnes in the front rank of today's rising stars of the violin. [1/17/2007]

And:

RECORDING OF THE MONTH
Ian Lace / musicweb-international

First, a word about the recorded sound of this release. This is a Hybrid Multichannel Super Audio recording. I listened to it on our Bang and Olufsen four column speaker system. I was impressed with the natural concert hall/recital room sound. Soloist and orchestra are well balanced in a warm and spacious acoustic with good solid bass and clarity and firmness even in the loudest perorations.
The Tchaikovsky Violin Concerto is one of the most famous in the repertory; and one of the most often recorded. Yet the talent of Julia Fischer is so awesome, her reading of this ‘old warhorse’ so fresh, so full of fire and vitality and wistful tenderness, and articulation, a model of clarity, that I unhesitatingly place it up with the finest interpretations including those by Heifetz, Milstein, Stern, Chung, Vengerov and Repin to name but a few. Kreizberg’s support excites and beguiles.
All these works, as you will note from the header, were composed within a short time frame, in the late 1870s; the Sérénade mélancolique, of 1875, being the earliest. Tchaikovsky’s own comments sum up its character: “Melancholic passion, hopeless yearning and bitter thoughts of death seem to us to be unreal, false, almost kitschy in the dragging waltz disguise. And yet the music of the Sérénade is so simple and natural, so vividly true to life.” The work is wintry and one can discern something of a pre-echoing of the style of Sibelius. Fischer rises with élan to the technical difficulties of the little-known showpiece, Valse-Scherzo, a demanding Allegro. It is coy when the furioso sparks do not fly. Altogether great fun, a little gem.
Yakov Kreizberg puts down his baton and goes to the piano to partner Julia Fischer with brio and sensitivity in Tchaikovsky’s Souvenir d’un lieu cher. Its opening ‘Méditation’, developed from the original Andante of the Violin Concerto - replaced by the ‘Canzonetta’ - is yearningly lyrical and passionately dramatic. The ‘devilish’ ‘Scherzo’ rushes headlong with a sort of impatient sweetness at its centre but it is the concluding ‘Mélodie’ that lingers in the memory, another of Tchaikovsky’s lovely melodies.
Fischer’s awesome talent makes for a performance that can compare with the best in a crowded list of recordings of this very popular concerto. Imaginative, intelligent programming further lifts this album.

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Russian Violin Concertos: Khachaturian, Prokofiev, Glazunov.
Julia Fisher / Yakov Kreizberg - Russian National Orchestra / SUPER AUDIO CD / 2005.
EAC | ape (img + cue) | 3% recovery | R.S. 392 MB / 5parts | T.T. 79:24mins | Covers, Booklet, CD.

Tracklist:
CD: Julia Fischer / Yakov Kreizberg, Russian National Orchestra - Russian Violin Concertos: Khachaturian, Prokofiev, Glazunov

01. Katchaturian: Violin Concerto in D minor: I. Allegro con fermezza [0:14:56.12]
02. II. Andante sostenuto [0:12:31.39]
03. III. Allegro vivace [0:09:19.01]
04. Prokofiev: Violin Concerto No.1 in D Op.19: I. Andantino- Andante assai [0:10:08.31]
05. II. Scherzo (Vivacissimo) [0:03:39.49]
06. III. Moderato-Allegro moderato-Piu tranquillo [0:08:18.14]
07. Glazunov: Violin Concerto in A minor Op.82: I. Moderato [0:04:19.71]
08. II. Andante [0:10:29.66]
09. III. Allegro [0:05:40.17]

Reviews:

Jan-2005 Gramophone Editor's Choice

Edward Greenfield / Gramophone Music magazine.

A striking debut sees a young violinist doing full justice to a work she loves

I first heard Julia Fischer in 1995 as a 12-year-old in the Yehudi Menuhin Violin Competition. Not only did she win outright in the junior category, she was manifestly more inspired than anyone in the senior category. A DVD of The Four Seasons aside (BBC/Opus Arte, 12/02), we have had to wait until now for her first CD. As she explains in the booklet-notes, she has an abiding love of the Khachaturian Concerto, a work she found impossible to sell to concert-promoters.
The freshness of her way with the Khachaturian, recorded last May in Moscow, is immediately striking in the chattering figuration of the opening, and she brings a rare tenderness to the lyrical second subject. The orchestral sound is impressive, too. Though Itzhak Perlman and Lydia Mordkovitch produce a beefier sound, the refinement of Fischer s performance makes it equally compelling. This concerto has claims to be the composer s finest work, claims which the yearning tenderness of the slow movement support. The clarity of Fischer s performance in the finale brings lightness and sparkle.
In the Glazunov, too, it is the clarity and subtlety of Fischer s playing that marks her reading out. She finds the tenderness of the slow middle section of this one-movement work, and gives an easy swing to the bouncy rhythms of the final section. In the Prokofiev, she takes a meditative view of the wistful melodies, the element, she says, that most attracts her, even if she does not quite reach the depths of Kyung-Wha Chung s version.
A unique coupling, superbly recorded, that could hardly be more recommendable.

Also:

David Hurwitz / Classics Today

Julia Fischer enjoys an excellent reputation among budding violinists, particularly in Germany, and this debut recording confirms the promising reports. It's also a nice collection of not-overplayed music, and I particularly enjoyed seeing the Prokofiev coupled with something other than more Prokofiev. It's a fine performance too: Fischer captures the mercurial central scherzo's quicksilver passagework very well indeed, though I miss something of Oistrakh's warmth and passion in the outer movements. Like Hilary Hahn, Fischer can sound a touch cool, but that's a plus in the other two concertos as far as I am concerned. Both are lovely, but both can turn schmaltzy very easily, and they don't here. The Glazunov sparkles, and I was impressed by Fischer's ability to sustain the long central andante.
The Khatchaturian always sounds long for its material, but this performance takes the music seriously, and Fischer more than holds her own in the outer movements where the violin needs to be able to confront the orchestra fearlessly in their ongoing dialog. In the lengthy andante, once again Fischer projects passion and sincerity without excessive histrionics. Yakov Kreizberg, a fine conductor, offers well-drilled accompaniments from an orchestra obviously at home in the idiom, and sonically this is one of the best productions yet from Pentatone in multichannel format--realistic placement, good balances, and not too much rear channel. I look forward to hearing more of Julia Fischer. She's clearly a talent to watch, even given the glut of fine young fiddlers on the scene today. Pentatone should treat her well--and plan future releases as carefully and as intelligently as this one. [3/17/2005]

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p.w.: iceshoweronfire

**mainp** · 07-06-2007, 06:51 AM

Antonio Vivaldi - Chamber Music with Wind Instruments
7 Tracks | MP3 | 192 Kbps | RAR 90MB

Track List

01 - Quartet in C Major for Flute, Oboe, Bassoon & Bc
02 - Trio in G minor, RV 103 for recorder, oboe & bassoon
03 - Trio in A minor, RV 86 for recorder, bassoon & bc
04 - Sonate in C minor, RV 53 for oboe & bc
05 - Sonata in G, RV 80 for 2 flutes & bc
06 - Sonata in G, RV 58 (from Il Pastor Fido) for flute & bc
07 - Trio in G minor, RV 81 for 2 oboes & bc

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25-05-2007, 10:29 AM	#63
vaiduakhu Dandelion Seeds Tham gia ngày: Apr 2007 Bài gởi: 173 Thanks: 3 Thanked 141 Times	TCHAIKOVSKY - Leonard BERNSTEIN & The New York Philharmonic [HQ] RIP+UP (format.ape) by Galmuchet + All Covers & Sticker - 230 Mb CD Audio 1987 CBS Records Bernstein New York Philharmonic / Tchaikovsky Nutcracker Suite & Swan Lake Suite Nutcracker Suite, Op. 71a 01. 03:21 Nutcracker Suite, Miniature Overture 02. 11:30 Nutcracker Suite, Dances Caractéristiques 03. 06:31 Nutcracker Suite, Waltz of the Flowers Swan Lake Suite, Op. 20 04. 02:57 Swan Lake Suite, Act II Opening - Dance of the Swans 05. 02:39 Swan Lake Suite, Waltz 06. 01:32 Swan Lake Suite, The Little Swans 07. 07:08 Swan Lake Suite, Pas de Deux 08. 01:36 Swan Lake Suite, Waltz 09. 01:33 Swan Lake Suite, Coda 10. 02:44 Swan Lake Suite, Act III opening 11. 02:46 Swan Lake Suite, Spanish Dance 12. 04:27 Swan Lake Suite, Mazurka Code: http://rapidshare.com/files/21474283/suite_a_la_noix.part1.rar http://rapidshare.com/files/21476329/suite_a_la_noix.part2.rar http://rapidshare.com/files/21478331/suite_a_la_noix.part3.rar Định dạng APE cần phần mềm Media Monkey. Tchaikovsky (Valery Gergiev - Kirov Orchestra) / The Nutcracker, Op. 71 [389MB - .ape] Code: http://rapidshare.com/files/8423436/Gergiev_CHIPOLLO.part1.rar http://rapidshare.com/files/8423516/Gergiev_CHIPOLLO.part2.rar http://rapidshare.com/files/8423473/Gergiev_CHIPOLLO.part3.rar http://rapidshare.com/files/8423294/Gergiev_CHIPOLLO.part4.rar password: www.Chipollo.Info __________________ Tut hướng dẫn cách download tại các server chia sẻ thông dụng* Tổng họp softs đọc ebooks

25-05-2007, 10:47 AM	#64
vaiduakhu Dandelion Seeds Tham gia ngày: Apr 2007 Bài gởi: 173 Thanks: 3 Thanked 141 Times	Kaori Muraji - Contrastes (DVD Rip) Code: http://vnguitar.info/Contrastes%20-%20Kaori%20Muraji%20.divx Special thank to Manuel de Falla __________________ Tut hướng dẫn cách download tại các server chia sẻ thông dụng Tổng họp softs đọc ebooks

26-05-2007, 12:51 AM	#65
daicaratu Tham gia ngày: Jan 2007 Bài gởi: 30 Thanks: 25 Thanked 2 Times	Chưa biết nhiều về cổ điển chỉ biết một số bài hay nên nhờ các bro ai nghe nhiều pót lên anh em cùng nghe,but rap thì chịu.cảm ơn! __________________ Nơi nào có PC là tui ngồi đó!

29-05-2007, 08:53 PM	#66
vaiduakhu Dandelion Seeds Tham gia ngày: Apr 2007 Bài gởi: 173 Thanks: 3 Thanked 141 Times	Johann Sebastian Bach - Goldberg Variations Classical \| mp3 320 Kbps \| 178 MB Brilliant Classics 01. BWV 988 - Aria 02. BWV 988 - Variatio 1 03. BWV 988 - Variatio 2 04. BWV 988 - Variatio 3, canone all'unisono 05. BWV 988 - Variatio 4 06. BWV 988 - Variatio 5 07. BWV 988 - Variatio 6, canone alla seconda 08. BWV 988 - Variatio 7 09. BWV 988 - Variatio 8 10. BWV 988 - Variatio 9, canone alla terza 11. BWV 988 - Variatio 10, fughetta 12. BWV 988 - Variatio 11 13. BWV 988 - Variatio 12, canone alla quarta 14. BWV 988 - Variatio 13 15. BWV 988 - Variatio 14 16. BWV 988 - Variatio 15, canone alle quinta, andante 17. BWV 988 - Variatio 16, ouverture 18. BWV 988 - Variatio 17 19. BWV 988 - Variatio 18, canone alla sesta 20. BWV 988 - Variatio 19 21. BWV 988 - Variatio 20 22. BWV 988 - Variatio 21, canone alla settima 23. BWV 988 - Variatio 22, alla breve 24. BWV 988 - Variatio 23 25. BWV 988 - Variatio 24, canone all'ottava 26. BWV 988 - Variatio 25 27. BWV 988 - Variatio 26 28. BWV 988 - Variatio 27, canone alla nona 29. BWV 988 - Variatio 28 30. BWV 988 - Variatio 29 31. BWV 988 - Variatio 30, quodlibet 32. BWV 988 - Aria da capo Code: http://rapidshare.com/files/33517205/bach2.11.part1.rar http://rapidshare.com/files/33520151/bach2.11.part2.rar __________________ Tut hướng dẫn cách download tại các server chia sẻ thông dụng Tổng họp softs đọc ebooks

29-05-2007, 08:58 PM	#67
vaiduakhu Dandelion Seeds Tham gia ngày: Apr 2007 Bài gởi: 173 Thanks: 3 Thanked 141 Times	Johann Sebastian Bach - Italian Concerto - French Overture - Chromatic Fantasy Classical \| mp3 320 Kbps \| 120 MB Brilliant Classicals Pieter-Jan Belder : harpsichord/cembalo 01. Italian Concerto in F major BWV971 - I. Allegro 02. Italian Concerto in F major BWV971 - II. Largo 03. Italian Concerto in F major BWV971 - III. Presto 04. Overture in the French Style in B minor BWV 831 - I. Ouvertüre 05. Overture in the French Style in B minor BWV 831 - II. Courante 06. Overture in the French Style in B minor BWV 831 - III. Gavotte I & II, da capo 07. Overture in the French Style in B minor BWV 831 - IV. Passepied I & II, da capo 08. Overture in the French Style in B minor BWV 831 - V. Sarabande 09. Overture in the French Style in B minor BWV 831 - VI. Bourrée I & II, da capo 10. Overture in the French Style in B minor BWV 831 - VII. Gigue 11. Overture in the French Style in B minor BWV 831 - VIII. Echo 12. Chromatic Fantasy & Fugue in D minor BWV 903 - I. Fantasie 13. Chromatic Fantasy & Fugue in D minor BWV 903 - II. Fuge Code: http://rapidshare.com/files/33523745/bach2.10.part1.rar http://rapidshare.com/files/33524393/bach2.10.part2.rar __________________ Tut hướng dẫn cách download tại các server chia sẻ thông dụng Tổng họp softs đọc ebooks

29-05-2007, 09:03 PM	#68
vaiduakhu Dandelion Seeds Tham gia ngày: Apr 2007 Bài gởi: 173 Thanks: 3 Thanked 141 Times	John Eliot Gardiner - Bach Cantatas, Volume 14: New York Genre: Classic \| Lossles: APE+CUE \| Covers, Booklet (300 dpi) \| 335 Mb SPARS Code: DDD \| Label: Soli Deo Gloria \| ASIN: B000B8GUFU \| 2000 Year (CD: December 2005) Four mirrors: Rapidshare, Depositfiles, Megaupload and Uploading “Sir John Eliot Gardiner CBE (born April 20, 1943, Fontmell Magna, Dorset, England) is an English conductor. He founded the Monteverdi Choir (1966), the English Baroque Soloists (1978) and the Orchestre Re'volutionnaire et Romantique (1990). Gardiner recorded over 250 albums with these and other musical ensembles, these are mostly published by Deutsche Grammophon and Philips Classics. John Eliot Gardiner is most famous for his interpretations of Baroque music on period instruments with the Monteverdi Choir and the English Baroque Soloists. His repertoire and discography are not limited to Early music. With the Orchestre Re'volutionnaire et Romantique Gardiner has performed a wide range of Classical and Romantic music, including many works of Hector Berlioz and all of Beethoven's symphonies, a recording of the third symphony of the latter was used in dramatisation by the BBC of Beethovens writing of that symphony. Gardiner has served as chief conductor of the North German Radio Symphony Orchestra and has appeared as guest conductor some of the most famous orchestras including the Philharmonia, Boston, Cleveland, Royal Concertgebouw and Vienna Philharmonic orchestras.” – Wikipedia.org Composer: Johann Sebastian Bach Conductor: John Eliot Gardiner Performer: Peter Harvey, English Baroque Soloists, Joanne Lunn, Katharine Fuge, James Gilchrist Orchestra: English Baroque Soloists Cantata No. 91, “Gelobet seist su, Jesu Christ,” BWV 91 (BC A9) No. 1. Coro. Gelobet seist du, Jesu Christ Composed by Johann Sebastian Bach Performed by English Baroque Soloists Conducted by John Eliot Gardiner Cantata No. 91, “Gelobet seist su, Jesu Christ,” BWV 91 (BC A9) No. 2. Recitativo e Choral. Der Glanz der ho"chsten Herrlichkeit Composed by Johann Sebastian Bach Performed by English Baroque Soloists with Katherine Fuge Conducted by John Eliot Gardiner Cantata No. 91, “Gelobet seist su, Jesu Christ,” BWV 91 (BC A9) No. 3. Aria. Gott, dem der erden Kreis zu klein Composed by Johann Sebastian Bach Performed by English Baroque Soloists with James Gilchrist Conducted by John Eliot Gardiner Cantata No. 91, “Gelobet seist su, Jesu Christ,” BWV 91 (BC A9) No. 4. Recitativo. O Christenheit! Composed by Johann Sebastian Bach Performed by English Baroque Soloists with Peter Harvey Conducted by John Eliot Gardiner Cantata No. 91, “Gelobet seist su, Jesu Christ,” BWV 91 (BC A9) No. 5. Aria. Die Armut, so Gott auf sich nimmt Composed by Johann Sebastian Bach Performed by English Baroque Soloists with Katherine Fuge, Robin Tyson Conducted by John Eliot Gardiner Cantata No. 91, “Gelobet seist su, Jesu Christ,” BWV 91 (BC A9) No. 6. Choral. Das hat er alles uns getan Composed by Johann Sebastian Bach Performed by English Baroque Soloists Conducted by John Eliot Gardiner Cantata No. 121, “Christum wir sollen loben schon,” BWV 121 (BC A13) Composed by Johann Sebastian Bach Performed by English Baroque Soloists with Peter Harvey, Katherine Fuge, William Towers, James Gilchrist Conducted by John Eliot Gardiner Cantata No. 40, “Dazu ist erschienen der Sohn Gottes,” BWV 40 (BCA 12) Composed by Johann Sebastian Bach Performed by English Baroque Soloists with Peter Harvey, Robin Tyson, James Gilchrist Conducted by John Eliot Gardiner Cantata No. 110, “Unser Mund sei voll Lachens,” BWV 110 (BC A10) Composed by Johann Sebastian Bach Performed by English Baroque Soloists with Peter Harvey, Joanne Lunn, William Towers, James Gilchrist Conducted by John Eliot Gardiner Tracklist: Cantata No. 91, “Gelobet seist su, Jesu Christ,” BWV 91 01. Coro 02. Recitativo E Choral 03. Aria: Tenor Gott, Dem Der Erden Kries Zu Klien 04. Recitativo: Bass O Christenheit 05. Aria: Sopran, Alt Die Armut, So Gott Auf Sich Nimmt 06. Choral Das Hat Er Alles Uns Getan Cantata No. 121, “Christum wir sollen loben schon,” BWV 121 07. Coro Christum Wir Sollen Loben Schon 08. Aria: Tenor O Du Von Gott Erhohte Kreatur 09. Recitativo: Alt Der Gnade Unermesslich's Wesen 10. Aria: Bass Johannis Freudenvolles Springen 11. Recitativo: Sopran Doch Wie Erblickt Es Dich In Deiner Krippe 12. Choral Lob, Ehr Und Dank Sei Dir Gesagt Cantata No. 40, “Dazu ist erschienen der Sohn Gottes,” BWV 40 13. Coro dazu Ist Erschienen Der Sohn Gottes 14. Recitativo: Teno das Wort Ward Fliesch Und Wohnet In Der Welt 15. Choral Die Sund Macht Leid 16. Aria: Bass Hollische Schlange 17. Recitativo: Alt Die Schlange, So Im Paradies 18. Choral Schuttle Deinen Kopf Und Sprich 19. Aria: Tenor Christenkinder, Freuet Euch! 20. Choral Jesu, Nimm Dich Deiner Glieder Cantata No. 110, “Unser Mund sei voll Lachens,” BWV 110 21. Coro Unser Mundi Sei Voll Lachens 22. Aria: Tenor Ihr Gedanken Und Ihr Sinnen 23. Recitativo: Bass Dir, Herr, Ist Niemand Gleich 24. Aria: Alt Ach Herr Was Ist Ein Menschenkind 25. Aria: Sopran, Tenor Ehre Sei Gott In Der Hohe 26. Aria 27. Choral Code: http://www.ftp2share.com/file/444e25dc-73ae-48a0-b370-19d25a8458a6/Cantatas_14.part1.rar http://www.ftp2share.com/file/43cafcda-9292-455e-8606-8c775c9b769a/Cantatas_14.part2.rar http://www.ftp2share.com/file/e796b05e-f9c5-442a-b385-2880853e518d/Cantatas_14.part3.rar http://www.ftp2share.com/file/68262024-61e3-4848-8936-cfe660e46409/Cantatas_14.part4.rar __________________ Tut hướng dẫn cách download tại các server chia sẻ thông dụng Tổng họp softs đọc ebooks

29-05-2007, 09:07 PM	#69
vaiduakhu Dandelion Seeds Tham gia ngày: Apr 2007 Bài gởi: 173 Thanks: 3 Thanked 141 Times	J.S. Bach - Cantatas BWV 6, 31, 67, 76, 80, 87 - Fritz Werner APE (EAC) & CUE \| Covers & track listing \| ADD \| 2 CDs \| TT ~2h24 \| 360 & 364 MB \| RS Recordings 1960-1964 Agnes Giebel, Ingeborg Reichelt, soprano Claudia Hellmann, Hertha Töpper, Marga Hoffgen, alt Helmut Krebs, tenor Erich Wenk, Franz Kelch, bass Marie-Claire Alain, organ Heinrich Schütz-Chor Heilbronn / Pforzheim Chamber Orchestra, Fritz Werner, conductor Contents: CD1 1. BWV 76 ''Die Himmel erzählen die Ehre Gottes'' 15. BWV 6 ''Bleib' bei uns, denn es will Abend werden'' 21. BWV 67 ''Halt' im Gedächtnis Jesum Christ!'' CD2 1. BWV 80 ''Ein feste Burg ist unser Gott'' 9. BWV 87 ''Bisher habt ihr nicht gebetet in meinem Namen'' 16. BWV 31 ''Der Himmel lacht, die Erde jubilieret'' Download __________________ Tut hướng dẫn cách download tại các server chia sẻ thông dụng Tổng họp softs đọc ebooks

29-05-2007, 09:09 PM	#70
vaiduakhu Dandelion Seeds Tham gia ngày: Apr 2007 Bài gởi: 173 Thanks: 3 Thanked 141 Times	J.S. Bach - Cantatas BWV 8, 26, 43, 61, 85, 130, 182 - Fritz Werner APE (EAC) & CUE \| Covers & track listing \| ADD \| 2 CDs \| TT 2h27 \| 376 & 372 MB \| RS Recordings 1959-1961 ''..the sound of tolling bells, the fragrance of blossoms pervades it - the sentiment of a churchyard in springtime.'' Phillipp Spitta on the opening choral of BWV 8 Friederike Sailer, Ingeborg Reichelt, soprano Claudia Hellmann, Hertha Töpper, alt Helmut Krebs, tenor Erich Wenk, Jakob Stämpfli, Franz Kelch, bass Heinrich Schütz-Chor Heilbronn / Pforzheim Chamber Orchestra, Das Südwestdeutsche Kammerorchester Fritz Werner, conductor Contents: CD1 1. BWV 61''Nun komm, der Heiden Heiland'' 7. BWV 26 ''Ach wie flüchtig, ach wie nichtig!'' 13. BWV 130 ''Herr Gott, dich loben alle wir'' 19. BWV 8 ''Liebster Gott, wann werd ich sterben'' CD2 1. BWV 182 ''Himmelskönig, sei willkommen'' 9. BWV 43 ''Gott fahret auf mit Jauchzen'' 20. BWV 85 ''Ich bin ein guter Hirt'' (There was unfortunately a slight recording problem on the original tape at the end of BWV 85. On the other hand, it's Helmut Krebs singing.) Download __________________ Tut hướng dẫn cách download tại các server chia sẻ thông dụng Tổng họp softs đọc ebooks

29-05-2007, 09:14 PM	#71
vaiduakhu Dandelion Seeds Tham gia ngày: Apr 2007 Bài gởi: 173 Thanks: 3 Thanked 141 Times	Franz Schubert - Piano trio D929 & Sonata D28 - La Gaia Scienza APE (EAC) & CUE \| Covers \| DDD \| TT 55:28 \| 206 MB \| RS Recorded at Villa Medici-Giulini, Briosco, Italy, May/June 1996 La Gaia Scienza Federica Valli, Johann Schanz Fortepiano Stefano Barneschi, Violin Paolo Beschi, Violoncello Contents: Trio in E flat major, D929 (op. 100) 1. Allegro (15:19) 2. Andanto con moto (8:42) 3. Scherzando: Allegro moderato (6:56) 4. Allegro moderato (13:25) Sonate in B flat, D28 for piano trio (unfinished) 5. Allegro (10:33) Thanks to bezdomny for bringing this ensemble to my attention. Part 1 Part 2 Part 3 __________________ Tut hướng dẫn cách download tại các server chia sẻ thông dụng Tổng họp softs đọc ebooks

29-05-2007, 09:19 PM	#72
vaiduakhu Dandelion Seeds Tham gia ngày: Apr 2007 Bài gởi: 173 Thanks: 3 Thanked 141 Times	Johann Sebastian BACH (1685-1750) Cantatas for bass BWV 56,82,158 - Philippe Herreweghe DDD \| TT: 52:20 \| APE (EAC Rip) + CUE \| covers \| 253Mo Recording January 1991 Peter Kooy basse Choeur et Orchestre de La Chapelle Royale dir: Philippe Herreweghe Tracklisting: Ich habe genung BWV 82 Je suis comblé / I have enough Johann Sebastian Bach 1 Aria 'Ich habe genung' 7'25 1 Recitativo 'Der Friede sei mit dir' 1'43 2 Recitativo 'Ich habe genung' 1'01 3 Aria 'Schlummert ein' 9'38 4 Recitativo 'Mein Gott' 0'43 5 Aria 'Ich freue mich' 3'37 Ich will den Kreutzstab gerne tragen BWV 56 Je porterai volontiers la croix I would gladly bear the Cross Johann Sebastian Bach 6 Aria 'Ich will den Kreutzstab gerne tragen' BWV 56 6'55 7 Recitativo 'Mein Wandel auf der Welt' 1'52 8 Aria 'Endlich, endlich wird mein Joch' 6'44 9 Recitativo 'Ich stehe fertig' 1'26 10 Choral ' Komm, o Tod' 1'24 Der Friede sei mit dir BWV 158 La paix soit avec toi Peace be with you Johann Sebastian Bach 12 Aria con Corale 'Welt, ade' 6'51 13 Recitativo 'Nun Herr' 1'25 14 Choral ' Hier ist das rechte Osterlamm' 1'19 Code: http://rs81cg.rapidshare.com/files/33006998/bach_cantates_basse_herreweghe.rar PASS 1 (rar link): anproi http://rs104l34.rapidshare.com/files/33007030/bach_cantates_basse_herreweghe.rar PASS 2 (RS folder): onoir http://rs76l3.rapidshare.com/files/33007061/bach_cantates_basse_herreweghe.rar PASS 3 (rar files): frisson __________________ Tut hướng dẫn cách download tại các server chia sẻ thông dụng Tổng họp softs đọc ebooks

29-05-2007, 09:21 PM	#73
vaiduakhu Dandelion Seeds Tham gia ngày: Apr 2007 Bài gởi: 173 Thanks: 3 Thanked 141 Times	Mstislav Rostropovich and Sviatoslav Richter: Brams: Sonota for Cello and Piano No. 1, Op. 38; Grieg: Sonota for Cello and Piano, Op. 36 Genre: Classic \| Lossles: APE+CUE \| Covers (150 dpi) \| 236 Mb Label: Inta' glio \| ASIN: B0002TFKTU \| Original Release Date: 1964 Year Historical recordings of Brams and Grieg sonotas for Cello and Piano made by Richter and Rostropovich at Aldeburg Festival in 1964 Four mirrors: Rapidshare, Depositfiles, Megaupload and Uploading Tracklist: 01. Brahms - Cello Sonata in e, Op.38 - 1. Allegro non troppo 02. Brahms - Cello Sonata in e, Op.38 - 2. Allegretto Quasi menuetto 03. Brahms - Cello Sonata in e, Op.38 - 3. Allegro 04. Grieg - Cello Sonata in a, Op. 36 - 1. Allegro agitato 05. Grieg - Cello Sonata in a, Op. 36 - 2. Andante molto tranguillo 06. Grieg - Cello Sonata in a, Op. 36 - 3. Allegro Code: http://www.ftp2share.com/file/97b24d6e-ebe8-49cc-8001-864c2c6b6b57/Rostropovich_and_Richter.part1.rar http://www.ftp2share.com/file/8b73f1bb-daa2-4978-a0ad-7440eeffea3a/Rostropovich_and_Richter.part2.rar http://www.ftp2share.com/file/790a9f7d-1d6a-4cb3-8591-69cd44c9709a/Rostropovich_and_Richter.part3.rar __________________ Tut hướng dẫn cách download tại các server chia sẻ thông dụng Tổng họp softs đọc ebooks

29-05-2007, 09:29 PM	#74
vaiduakhu Dandelion Seeds Tham gia ngày: Apr 2007 Bài gởi: 173 Thanks: 3 Thanked 141 Times	J. Brahms: Violin Concerto in D, Op.77, Double Concerto in A minor, Op.102: Julia Fisher & Daniel Muller-Schott - Yakov Kreizberg, NPO Amsterdam / SUPER AUDIO CD / May 2007. EAC \| ape (img + cue) \| 3% recovery \| R.S. 363 MB / 4parts \| T.T. 72:59mins \| Covers, Booklet, CD. Tracklist: CD: Julia Fischer, Daniel Mόller-Schott, NPO Amsterdam, Yakov Kreizberg - Johannes Brahms: Violin Concerto, Double Concerto. 01. Violin Concerto in D, Op.77: I Allegro non troppo [0:23:16.55] 02. II Adagio [0:09:29.38] 03. III Allegro giocoso, ma non troppo vivace. Poco piu presto [0:08:07.06] 04. Double Concerto for Violin and Cello in A minor, Op.102: I Allegro [0:16:08.49] 05. II Andante [0:07:39.03] 06. III Vivace non troppo. Poco meno allegro. Tempo I [0:08:16.47] Review: Times, Four stars: Released: 14/05/07 The brilliant young German violinist Julia Fischer has already established a close relationship with the Amsterdam-based Pentatone label – a management buyout by former Philips employees, who now own some of the latter company’s back catalogue – and with Kreizberg. All of Fischer’s previous concerto discs have been conducted by the Russian-born American Yakov Kreizberg, but with different orchestras – the Russian National Orchestra and the Netherlands Chamber Orchestra. Here, with Kreizberg’s own Dutch company, she rises majestically to the challenge of Brahms’s two great string concertos. Fischer may be only in her mid-twenties, but she is already a mature artist, in command of a sweet, singing tone, formidable virtuosity and a breadth of vision that makes her Brahms especially compelling. She and her 29-year-old compatriot Daniel Müller-Schott – arguably the finest cellist of his generation – give the Double Concerto one of the most beautiful and idiomatic readings on disc in recent years. More infos about Julia Fisher: Here More infos about Daniel Muller Schott: Here More infos about Yakov Kreizberg: Here More infos about this album: Here Code: http://rapidshare.com/users/NBN532 P.I. Tchaikovsky: Violin Concerto in D, Op.35, Serenade melancolique Op.26, Valse-Scherzo Op.34, Souvenir d'un lieu cher: Julia Fisher / Yakov Kreizberg, Russian National Orchestra / SUPER AUDIO CD / 2006. EAC \| ape (img + cue) \| 3% recovery \| R.S. 344 MB / 4parts \| T.T. 68:25mins \| Covers, Booklet, CD. Tracklist: CD: Julia Fischer / Yakov Kreizberg, Russian National Orchestra - Tchaikovsky: Violin Concerto in D, Serenade melancolique, Valse-Scherzo, Souvenir d'un lieu cher 01. Concerto for violin in D, Op. 35: I. Allegro moderato [0:18:05.39] 02. II. Canzonetta (Andante) [0:06:44.53] 03. III. Finale (Allegro vivacissimo) [0:10:11.08] 04. Serenade melancolique, Op.26 for violin and orchestra: Andante [0:09:33.24] 05.Valse-Scherzo Op.34 for violin and orchestra: Allegro (Tempo di Valse) [0:07:54.03] 06. Souvenir d'un lieu cher, Op.42 for violin and piano: I. Meditation [0:09:17.38] 07. II. Scherzo [0:03:15.17] 08. III. Melodie [0:03:22.17] Reviews: Apr-2007 Gramophone Editor's Choice Fischer has the greater fun and fantasy and shows what a distinctive artists she is. Julia Fischer brings fearsome concentration to a concerto that is so often an excuse for self-indulgence. She also brings absolute control of colour and tone. Fischer realises that you don't have to wallow in romanticism for the piece to work its magic. Kreizberg and the fabulous Russian National Orchestra provide superb support. Also: March 2007 / BBC Music Magazine: This month's Orchestral Choice David Nice / BBCmusic magazine If you thought Tchaikovsky’s Violin Concerto was just a succession of pretty melodies, then Julia Fischer’s interpretation will make you think again. Like the great David Oistrakh, she has a notable way of giving the violin a speaking intonation and pausing for thought in mid-flow, so that Tchaikovsky’s lengthy first movement is punctuated by a series of interior monologues. Not that this should in any way suggest undue seriousness: Fischer always knows when to lighten the mood, or how best to judge the tension and release of a musical paragraph, and in this she is supported to the hilt by a personable but never too overbearing Russian National Orchestra under the baton of Yakov Kreizberg, likeable from the opening string phrase. The long cadenza, though, is the heart and soul of the movement, beautifully rounded off by a magical pair of trills before the orchestral flautist steals back in with the principal melody. There’s subtle duetting with the first clarinet in the most introspective – but again never too heavy-going – of Canzonettas, and the two other slow movements on the disc, including the Meditation which was Tchaikovsky’s original candidate for the centrepiece of the Concerto, are soulfully done, with sensitive partnering from Kreizberg in the violin-and piano pieces and an especially effective dying fall, with more superb trilling, for the Sérénade mélancolique. In the Concerto’s vivacious finale and the headlong Valse-Scherzo, Fischer makes light of the technical difficulties with spoton pitching throughout; there isn’t an aspect of any of these works in which this world-class virtuoso fails to excel. Pentatone’s hybrid CD/SACD is superbly natural in both formats, with some understated spotlighting of the characterful orchestral woodwind. And: David Hurwitz / Classics Today For a work so popular, and so highly favored by record companies, Tchaikovsky's Violin Concerto hasn't been getting too much attention lately. In any case, great performances are few and far between, but this newcomer certainly belongs on anyone's short list of truly outstanding versions. It has everything: transcendent virtuosity, tons of excitement in the finale, and perhaps most importantly of all, a soloist with both taste and a personal sound that allows her to make the music her own. Today's violin soloists are so well trained that we tend to forget the difference between great technique and great timbre. Fischer has both. Right from the opening of the first movement her sound positively glows. Partly it's a function of her well-controlled vibrato, and chalk up the rest to perfect intonation. Fischer's double-stops, in a work that's full of them, are so in tune, and so musical, that it's frightening. Her sweetly singing tone makes for a Canzonetta that truly communicates like a song, as if Fischer commanded a genuine human voice and not an instrumental approximation. Yakov Kreizberg has his orchestra in top form, following her every step of the way, and the couplings are equally fine, particularly the eloquently phrased Sérénade. Ordinarily I don't like mixed programs of orchestral and chamber music, but the Souvenir really belongs in this collection of Tchaikovsky's music for violin, and Kreizberg makes as fine an accompanist at the piano as he does on the podium. In terms of production, this also is one of PentaTone's best. The sound is warm, present, very well balanced, and happily not excessively biased toward the rear channels in SACD format. So if you're looking for a splendid new Tchaikovsky Violin Concerto that offers superior artistic values and excellent SACD surround sonics, this is definitely the one to get. Keep your eye on Fischer; she belongs with artists such as Hillary Hahn and James Ehnes in the front rank of today's rising stars of the violin. [1/17/2007] And: RECORDING OF THE MONTH Ian Lace / musicweb-international First, a word about the recorded sound of this release. This is a Hybrid Multichannel Super Audio recording. I listened to it on our Bang and Olufsen four column speaker system. I was impressed with the natural concert hall/recital room sound. Soloist and orchestra are well balanced in a warm and spacious acoustic with good solid bass and clarity and firmness even in the loudest perorations. The Tchaikovsky Violin Concerto is one of the most famous in the repertory; and one of the most often recorded. Yet the talent of Julia Fischer is so awesome, her reading of this ‘old warhorse’ so fresh, so full of fire and vitality and wistful tenderness, and articulation, a model of clarity, that I unhesitatingly place it up with the finest interpretations including those by Heifetz, Milstein, Stern, Chung, Vengerov and Repin to name but a few. Kreizberg’s support excites and beguiles. All these works, as you will note from the header, were composed within a short time frame, in the late 1870s; the Sérénade mélancolique, of 1875, being the earliest. Tchaikovsky’s own comments sum up its character: “Melancholic passion, hopeless yearning and bitter thoughts of death seem to us to be unreal, false, almost kitschy in the dragging waltz disguise. And yet the music of the Sérénade is so simple and natural, so vividly true to life.” The work is wintry and one can discern something of a pre-echoing of the style of Sibelius. Fischer rises with élan to the technical difficulties of the little-known showpiece, Valse-Scherzo, a demanding Allegro. It is coy when the furioso sparks do not fly. Altogether great fun, a little gem. Yakov Kreizberg puts down his baton and goes to the piano to partner Julia Fischer with brio and sensitivity in Tchaikovsky’s Souvenir d’un lieu cher. Its opening ‘Méditation’, developed from the original Andante of the Violin Concerto - replaced by the ‘Canzonetta’ - is yearningly lyrical and passionately dramatic. The ‘devilish’ ‘Scherzo’ rushes headlong with a sort of impatient sweetness at its centre but it is the concluding ‘Mélodie’ that lingers in the memory, another of Tchaikovsky’s lovely melodies. Fischer’s awesome talent makes for a performance that can compare with the best in a crowded list of recordings of this very popular concerto. Imaginative, intelligent programming further lifts this album. Code: http://rapidshare.com/users/2BJ70H Russian Violin Concertos: Khachaturian, Prokofiev, Glazunov. Julia Fisher / Yakov Kreizberg - Russian National Orchestra / SUPER AUDIO CD / 2005. EAC \| ape (img + cue) \| 3% recovery \| R.S. 392 MB / 5parts \| T.T. 79:24mins \| Covers, Booklet, CD. Tracklist: CD: Julia Fischer / Yakov Kreizberg, Russian National Orchestra - Russian Violin Concertos: Khachaturian, Prokofiev, Glazunov 01. Katchaturian: Violin Concerto in D minor: I. Allegro con fermezza [0:14:56.12] 02. II. Andante sostenuto [0:12:31.39] 03. III. Allegro vivace [0:09:19.01] 04. Prokofiev: Violin Concerto No.1 in D Op.19: I. Andantino- Andante assai [0:10:08.31] 05. II. Scherzo (Vivacissimo) [0:03:39.49] 06. III. Moderato-Allegro moderato-Piu tranquillo [0:08:18.14] 07. Glazunov: Violin Concerto in A minor Op.82: I. Moderato [0:04:19.71] 08. II. Andante [0:10:29.66] 09. III. Allegro [0:05:40.17] Reviews: Jan-2005 Gramophone Editor's Choice Edward Greenfield / Gramophone Music magazine. A striking debut sees a young violinist doing full justice to a work she loves I first heard Julia Fischer in 1995 as a 12-year-old in the Yehudi Menuhin Violin Competition. Not only did she win outright in the junior category, she was manifestly more inspired than anyone in the senior category. A DVD of The Four Seasons aside (BBC/Opus Arte, 12/02), we have had to wait until now for her first CD. As she explains in the booklet-notes, she has an abiding love of the Khachaturian Concerto, a work she found impossible to sell to concert-promoters. The freshness of her way with the Khachaturian, recorded last May in Moscow, is immediately striking in the chattering figuration of the opening, and she brings a rare tenderness to the lyrical second subject. The orchestral sound is impressive, too. Though Itzhak Perlman and Lydia Mordkovitch produce a beefier sound, the refinement of Fischer s performance makes it equally compelling. This concerto has claims to be the composer s finest work, claims which the yearning tenderness of the slow movement support. The clarity of Fischer s performance in the finale brings lightness and sparkle. In the Glazunov, too, it is the clarity and subtlety of Fischer s playing that marks her reading out. She finds the tenderness of the slow middle section of this one-movement work, and gives an easy swing to the bouncy rhythms of the final section. In the Prokofiev, she takes a meditative view of the wistful melodies, the element, she says, that most attracts her, even if she does not quite reach the depths of Kyung-Wha Chung s version. A unique coupling, superbly recorded, that could hardly be more recommendable. Also: David Hurwitz / Classics Today Julia Fischer enjoys an excellent reputation among budding violinists, particularly in Germany, and this debut recording confirms the promising reports. It's also a nice collection of not-overplayed music, and I particularly enjoyed seeing the Prokofiev coupled with something other than more Prokofiev. It's a fine performance too: Fischer captures the mercurial central scherzo's quicksilver passagework very well indeed, though I miss something of Oistrakh's warmth and passion in the outer movements. Like Hilary Hahn, Fischer can sound a touch cool, but that's a plus in the other two concertos as far as I am concerned. Both are lovely, but both can turn schmaltzy very easily, and they don't here. The Glazunov sparkles, and I was impressed by Fischer's ability to sustain the long central andante. The Khatchaturian always sounds long for its material, but this performance takes the music seriously, and Fischer more than holds her own in the outer movements where the violin needs to be able to confront the orchestra fearlessly in their ongoing dialog. In the lengthy andante, once again Fischer projects passion and sincerity without excessive histrionics. Yakov Kreizberg, a fine conductor, offers well-drilled accompaniments from an orchestra obviously at home in the idiom, and sonically this is one of the best productions yet from Pentatone in multichannel format--realistic placement, good balances, and not too much rear channel. I look forward to hearing more of Julia Fischer. She's clearly a talent to watch, even given the glut of fine young fiddlers on the scene today. Pentatone should treat her well--and plan future releases as carefully and as intelligently as this one. [3/17/2005] Code: http://rapidshare.com/users/QSMWL9 p.w.: iceshoweronfire __________________ Tut hướng dẫn cách download tại các server chia sẻ thông dụng Tổng họp softs đọc ebooks

07-06-2007, 06:51 AM	#75
mainp Phởn vs Lúc Lắc Tham gia ngày: Nov 2006 Đến từ: H.O.M.E Bài gởi: 1,922 Thanks: 130 Thanked 2,358 Times	Antonio Vivaldi - Chamber Music with Wind Instruments Antonio Vivaldi - Chamber Music with Wind Instruments 7 Tracks \| MP3 \| 192 Kbps \| RAR 90MB Track List 01 - Quartet in C Major for Flute, Oboe, Bassoon & Bc 02 - Trio in G minor, RV 103 for recorder, oboe & bassoon 03 - Trio in A minor, RV 86 for recorder, bassoon & bc 04 - Sonate in C minor, RV 53 for oboe & bc 05 - Sonata in G, RV 80 for 2 flutes & bc 06 - Sonata in G, RV 58 (from Il Pastor Fido) for flute & bc 07 - Trio in G minor, RV 81 for 2 oboes & bc Code: http://rapidshare.com/files/35574299/Viva-Wind.rar __________________ Depressed.....

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